Animation Artist - animation news, tutorials, movies, cartoons
Manga Studio becomes Clip Studio Paint By Ko Maruyama SmithMicro has many software options for illustrators, but for fans at ComicCon in Silicon Valley Comic Con in San Jose http://svcomiccon.com this week will get a first look at the demos of this software. The new version of Manga Studio also brings a new name. Clip Studio Paint offers a better description of the potential it offers artists, cel animation. ...Read More »
Turning Orlando Into an 80s Arcade Game The American Advertising Association's Awards, formerly called the ADDYs, is one of the ad industry's highest honors. Taking place regionally, the award events are huge productions that bring together the best creatives in the US ad space. For this year's Orlando awards, Florida's Ad Club chose Levitation Creative Agency to come up with an intro video that would show off Orlando and why it is such an amazing place to live and create. And what better way than to fly through every part of Orlando and turn the city into an 80s arcade game? ...Read More »
ASSIMILATE Announces Support for ProRes 4444 XQ By Lou Wallace ASSIMILATE announced today it has added support in its SCRATCH post-production tools and workflow for encoding and decoding using the Apple ProRes 4444 XQ codec. ProRes 4444 XQ is the highest-quality version of the ProRes codec for 4:4:4:4 image sources (including alpha channels). This format has a very high data rate to preserve the detail in high-dynamic-range imagery generated by today's highest-quality digital image sensors. For the detailed facts and benefits, visit https://support.apple.com/en-us/HT202410. ...Read More »
Animated Robot Enters The Real World in "Alpha4" By SNL Guitarist Jared Scharff Saturday Night Live guitarist Jared Scharff, solo project known as Pearl Lion, recently released a music video titled "Alpah4". The video's protagonist is a video game like robot who enters the real world and travels around Los Angeles. The video combines animation with live action - we think you'll love it! ...Read More »
The Cinema 4D R17 Lens Distortion Tool By Stephen Schleicher Maxon introduced a number of new features in Cinema 4D R17 when it was released last year. While the Motion Tracker is a fantastic tool to track footage and composite 3D elements, often wide angle footage introduces perspective errors in the final rendered image. Unless the user knows what camera was used to capture the source footage, the focal length of the lens, and the field of view, correcting that footage, or adding the lens distortion to the 3D elements is a tricky and sometimes frustrating experience. ...Read More »
Sarah Adina Smith's "Midnight Swim" For any filmmaker, switching genres between movies is always a tough task. But Sarah Adina Smith decided to switch between genres three times in the same film. "Midnight Swim" takes viewers from a faux documentary to a surreal thriller and then to a sweeping cinematic feature, all in the space of a single film. ...Read More »
ASSIMILATE Congratulates Post Production Houses for their Sundance 2016 Nominations At the Sundance Film Festival 2016 in Park City, Utah the roster includes filmmakers whose post-production companies used ASSIMILATE's SCRATCH post-production tools in their digital workflows. ASSIMILATE is extremely pleased to congratulate its customers for their creativity and artistry in the following films and documentaries in the following Sundance categories: Local Hero, Metropolis Post, and Storm Post Production. ...Read More »
iPi Soft Helps Mobile Content Developer AWE By Ko Maruyama History buffs who have wondered about witnessing great moments in time are one step closer thanks to Toronto-based mobile content developer AWE, that used iPi Motion Capture, the leading markerless motion capture solution developed by iPi Soft, to create a one-of-a-kind virtual reality experience ...Read More »
Poser 11 & Poser Pro 11 By Ko Maruyama Smith Micro's Poser Pro has been a powerful character 3D animation tool for both professionals and hobbyists. Its toolset is easy enough to get started with, yet deep enough to allow professionals to get the nuanced performances that they want for animation and illustration work. The creative enhancements and workflow tools make both Poser 11 and Poser Pro 11 a fantastic update to Smith Micro's accessible character animation software. ...Read More »
Red Giant Trapcode Suite of Tools By Ko Maruyama Trapcode's design and animation tools have been an indispensable part of the motion graphics and compositor's tool set for years now. Trapcode Suite offers updates to some of the tools that you may already have in your arsenal, and boasts a brand new plugin that brings opportunity to create new 3D visuals. ...Read More »
ASSIMILATE's SCRATCH 8.4 Sets the Pace for Advanced Real-time Features, Workflow, & Ecosystem at a Price Everyone Can Afford ASSIMILATE today announced its new SCRATCH 8.4, the latest version of its advanced, real-time post-production tools and workflow. "Leading the industry in offering the latest advancements in digital cinema technology is the cornerstone of what we do. Assimilate is all about developing real-time tools and a workflow that DITs, post-production artists and all filmmakers need to be creative, productive, and competitive," said Jeff Edson, CEO at Assimilate. "With SCRATCH 8.4, users get an abundance of advanced features that enable them to excel at what they do, and at a price everyone can afford. And with a host of SCRATCH industry partners, they can build an extensive and integrated SCRATCH ecosystem that gives an even greater boost to their productivity." ...Read More »
AJA Ki Pro Rack Helps Journalists Boogie with the Peanuts Gang On-Camera at TIFF Entertainment journalists got a chance to boogie with the Peanuts gang this fall during Fox's press screening of "The Peanuts Movie" at the Toronto International Film Festival (TIFF). Los Angeles based visual effects company BlueScreen LLC, working with Junket Productions and Fox, oversaw the on-site shoot, which captured 60 journalists dancing on-camera to Meghan Trainor's new song from the movie's soundtrack "Feels Better When I'm Dancing." The footage was composited live with a CG scene featuring a Soul Train dance line style of Peanuts characters, played back via AJA Ki Pro Rack. Each take was then recorded to CF cards, which Fox sent to press ahead of the film's debut for use in on-air segments about the movie. ...Read More »
PIXELSQUID By Ko Maruyama PixelSquid? You may know TurboSquid - Yeah, same team. But this time, the new team is offering resources for the 2D artist who is interested in finding 3D objects to use in their compositions. If you've ever wanted to use a 3D object in your Adobe Photoshop composite, but just didn't have the chops (or time) to make the 3D object happen, this (extension/service) is perfect. PixelSquid has taken out all of the complexity of modeling, lighting, layering, and rendering 3D, and delivers a truly 3D object that you can easily customize for your Photoshop workflow. ...Read More »
THE NINE OLD MEN By Ko Maruyama Chances are, if you?re an animator, you?ve heard about the nine old men from Disney as told in a way that might seem like a folktale. Andreas Deja and Focal Press have crafted a book that takes you on an inspiring ride through the wonderful world of The Nine Old Men and their techniques. But even more than simple rules and technique, the book illuminates the personality and character that each artist brought to the table. ...Read More »
Automatic Duck is back By Ko Maruyama For a long time, there were three camps of desktop NLE editors. Avid, Final Cut, PremierePro. They didn't talk to each other, and outside of Adobe's own PremierePro, they talk to After Effects. Then, Automatic Duck came along to allow editors to bring their edits into a project that allowed After Effects artists to bring the edits and media into their timeline easily. And now, after a brief hiatus, Automatic Duck Ximport AE allows you to bring your Final Cut X easily into After Effects with much more than just media and duration. ...Read More »
Light Wrap Fantastic 1.0 By Ko Maruyama Digital Anarchy recently announced the release of The Light Wrap Fantastic, a plugin that assists with green/blue screen compositing. Available for Adobe After Effects, Premiere Pro, and Apple's Final Cut Pro, the plugin makes it easier to blend foreground and background elements by simulating rear-projected light and ambient light values with glows. ...Read More »
State of Play Games at SIGGRAPH 2015 By Ko Maruyama During the SIGGRAPH convention, State of Play games introduced attendees to creating games with physical environments. By using paper, glue, markers, and other art supplies, anyone could become part of the game making process. Once the stage was set each day, an interactive experience was built in a few minutes. ...Read More »
State of Play Games at SIGGRAPH 2015 By Ko Maruyama During the SIGGRAPH convention, State of Play games introduced attendees to creating games with physical environments. By using paper, glue, markers, and other art supplies, anyone could become part of the game making process. Once the stage was set each day, an interactive experience was built in a few minutes. ...Read More »
NVIDIA introduces DesignWorks By Ko Maruyama NVIDIA has always been about visual computing. We often think of them as the video card and hardware company to make display and rendering happen (I accidentally typed 'happy' before editing it). Perhaps it isnt too far off base to say that NVIDIA is considered the company to make rendering happy. This year at SIGGRAPH, they are announcing a new concept: DesignWorks. Not hardware, the DesignWorks announcement brings an array of new software tools. ...Read More »
How to add some fun graphics to Premiere Clip By Ko Maruyama Here's how you can add some fun graphics to your Premiere Clip videos that you create on your iPhone or iPad. Although you can always export your video out to a heavy duty application like Premiere Pro with the click of a button, sometimes, it's more spontaneous to make them 'in camera' ...Read More »
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